At-at, what? At-at-at, what?
At-at-at, what? At, don't stop, don't stop
At-at, what? At-at-at, what?
At-at-at, what? At, don't stop, don't stop
I don't know where we go, I don't know where we go
And I don't know what to call us
And I don't know what to call us
And I don't know how it starts and I don't know how
But I'm ready to go, I'm ready to go
I don't know where we go, I don't know where we go
And I don't know what to call us
And I don't know what to call us
And I don't know how it starts and I don't know how
But I'm ready to go, I'm ready to
[Bridge: Usher]
Bump, bump, bump, bump, bump, bump
(At-at what?)
Bump, bump, bump, bump, bump, bump
(At-at-at, what?)
Bump, bump, bump, bump, bump, bump
(At, don't stop, don't stop)
As we bump, bump, bump, bump, bump
She hit me with that killer
She make me sling the skrilla
Body tight for the summer
Get it, get (?) for the winter
Real player makers
Need something to (?)
Now she on my mind
I need something to spend my day on
And I love her like my niggas, my niggas, my niggas
She ain't bout my feelin's, my feelin's, my feelin's
And (?) bout these hoes
Cause she the one I chose
Got the keys to the Benz
I don't even drive my shit no more
Bump, bump, bump, bump, bump, bump
(At-at what?)
Bump, bump, bump, bump, bump, bump
(At-at-at, what?)
Bump, bump, bump, bump, bump, bump
(At, don't stop, don't stop)
As we bump, bump, bump, bump, bump
I don't know where we go, I don't know where we go
And I don't know what to call us
And I don't know what to call us
And I don't know how it starts and I don't know how
But I'm ready to go, I'm ready to go
I don't know where we go, I don't know where we go
And I don't know what to call us
And I don't know what to call us
And I don't know how it starts and I don't know how
But I'm ready to go, I'm ready to
Bump, bump, bump, bump, bump, bump
(At-at what?)
Bump, bump, bump, bump, bump, bump
(At-at-at, what?)
Bump, bump, bump, bump, bump, bump
(At, don't stop, don't stop)
As we bump, bump, bump, bump, bump
I know you feel me gettin' better
Cause you all that's on my mind
Tonight's champagne and confetti
If you want, I stand in line
For a little loving
For a little bumping
How could you hear what I'm sayin'?
I'm hopin' and prayin', I'll say it again
I don't know where we go, I don't know where we go
And I don't know what to call us
And I don't know what to call us
And I don't know how it starts and I don't know how
But I'm ready to go, I'm ready to go
I don't know where we go, I don't know where we go
And I don't know what to call us
And I don't know what to call us
And I don't know how it starts and I don't know how
But I'm ready to go, I'm ready to
As we bump, don't stop
(At-at what?)
As we bump, don't stop
(At-at-at, what?)
(At-at, what? At-at-at, what?)
(At-at-at, what? At, don't stop, don't stop)
Le texte musical BUMP de USHER est également présent dans l'album Hard ii love (2016)
Usher Raymond IV, noto semplicemente come Usher, è un cantante, ballerino e attore statunitense nato a Dallas, Texas, il 14 ottobre 1978. Considerato uno dei più influenti artisti R and B degli ultimi decenni, Usher ha venduto oltre 85 milioni di album in tutto il mondo, conquistando numerosi premi Grammy Awards. La sua musica è caratterizzata da ritmi hip-hop e pop, con un'enfasi sulla performance vocale e sul groove. Il suo debutto discografico risale al 1994 con l'album "Usher", seguito da successi come "My Way" (1997) e "8701" (2001). Tra i suoi brani più famosi figurano "Yeah!" (feat. Lil Jon and Ludacris), "Burn", "Confessions Part II", "OMG" (feat. will.i.am) e "Climax". Usher ha collaborato con artisti di fama internazionale come Jay-Z, Alicia Keys e Justin Bieber. Oltre alla musica, Usher si è cimentato anche nel cinema, recitando in film come "She's All That" e "The Faculty".
La chanteuse de renom Rihanna et le rappeur A$AP Rocky ont récemment fait la une des journaux du monde entier en dévoilant le nom de leur deuxième enfant.
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J'ai l'impression qu'avant d'aborder le sujet traité dans cet article je dois faire une prémisse: le reggaeton n'est pas vraiment mon genre préféré, il se réfugie dans un rythme très banal avec des textes que 99% du temps décrivent la femme comme un objet disponible à l'homme macho.
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