Daddy started out in San Francisco,
Tootin' on his trumpet loud and mean.
Suddenly a voice said, "Go forth, Daddy.
Spread the picture on a wider screen."
And the voice said, "Brother, there's a million pigeons
Ready to be hooked on new religions.
Hit the road, Daddy. Leave your common-law wife.
Spread the religion of the rhythm of life."
And the rhythm of life is a powerful beat,
Puts a tingle in your fingers and a tingle in your feet,
Rhythm in your bedroom, rhythm in the street,
Yes, the rhythm of life is a powerful beat.
To feel the rhythm of life,
To feel the powerful beat,
To feel the tingle in your fingers,
To feel the tingle in your feet.
Daddy spread the gospel in Milwaukee,
Took his walkie-talkie to Rocky Ridge,
Blew his way to Canton, then to Scranton,
Till he landed under the Manhattan Bridge.
Daddy was the new sensation, got himself a congregation,
Built up quite an operation down below.
With the pie-eyed piper blowing, while the muscatel was flowing,
All the cats were go, go, going down below.
Daddy was the new sensation, got himself a congregation,
Built up quite an operation down below.
With the pie-eyed piper blowing, while the muscatel was flowing,
All the cats were go, go, going down below.
Flip your wings and fly to Daddy,
Flip your wings and fly to Daddy,
Flip your wings and fly to Daddy,
Fly, fly, fly to Daddy.
Take a dive and swim to Daddy,
Take a dive and swim to Daddy,
Take a dive and swim to Daddy,
Swim, swim, swim to Daddy.
Hit the floor and crawl to Daddy,
Hit the floor and crawl to Daddy,
Hit the floor and crawl to Daddy,
Crawl, crawl, crawl to Daddy.
And the rhythm of life is a powerful beat,
Puts a tingle in your fingers and a tingle in your feet,
Rhythm in your bedroom, rhythm in the street,
Yes, the rhythm of life is a powerful beat.
To feel the rhythm of life,
To feel the powerful beat,
To feel the tingle in your fingers,
To feel the tingle in your feet.
To feel the rhythm of life,
To feel the powerful beat,
To feel the tingle in your fingers,
To feel the tingle in your feet.
Flip your wings and fly to Daddy,
Take a dive and swim to Daddy,
Hit the floor and crawl to Daddy,
Daddy we got the rhythm of life,
Of life, of life, of life.
Yeah! Yeah! Yeah!
Man!
Sammy Davis Jr. (Samuel George Davis Jr., 1925-1990) è stato un'icona dello spettacolo americano, celebre per la sua poliedrica carriera come cantante, ballerino, attore, comico e imitatore. Nato a Harlem, New York, Davis Jr. iniziò la sua carriera nel mondo dello spettacolo all'età di 3 anni, esibendosi con il padre e i suoi fratelli nella band 'The Will Mastin Trio'. Nel corso degli anni '50, si affermò come uno dei più grandi artisti del Rat Pack, un gruppo di celebrità che includeva Frank Sinatra, Dean Martin e Peter Lawford. Davis Jr. era noto per la sua energia contagiosa sul palco, il suo talento vocale versatile e la sua abilità nel comico. Oltre alla musica, ha recitato in numerosi film e programmi televisivi, ottenendo riconoscimenti per le sue performance. Tra i suoi brani più famosi figurano 'The Candy Man', 'What Kind of Fool Am I?', 'I've Gotta Be Me'. Davis Jr. è stato un pioniere nella lotta contro la discriminazione razziale negli Stati Uniti, usando il suo platform per promuovere l'uguaglianza e la giustizia sociale.
La chanteuse de renom Rihanna et le rappeur A$AP Rocky ont récemment fait la une des journaux du monde entier en dévoilant le nom de leur deuxième enfant.
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C'était le 5 avril 1980 quand un groupe inconnu et sans nom a joué dans une église désacralisée de la ville universitaire d'Athens en Géorgie. À peine deux semaines plus tard, ils ont choisi un nom R.E.M. , et ilt ont sortiun single et en 1983 un album "Murmur".
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Il sont 7, ils ont presque tous la vingtaine, ils aiment le post-rock et aussi expérimenter différents sons. Plus qu'un groupe, Black Country est une communauté.
J'ai l'impression qu'avant d'aborder le sujet traité dans cet article je dois faire une prémisse: le reggaeton n'est pas vraiment mon genre préféré, il se réfugie dans un rythme très banal avec des textes que 99% du temps décrivent la femme comme un objet disponible à l'homme macho.
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